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Recently I heard a story on NPR about the  composer  Carl Jenkins, who was visiting Venice.

He was with his wife strolling the streets, and saw a painting in the window of a gallery. She remarked to him that the painting " looks like your music". So, they went in, found out who the artist was, and purchased the piece.

Later, they had the opportunity to meet the artist. He told Carl that he listened to music while painting; specifically his music!

 

Now, I have not had someone think about , or engage with my work in quite such a serendipitous way, but I have had some really wonderful occurrences over my career. Just recently I was contacted out of the blue by someone who would be in the area and stopped by to visit my studio. She relayed that she reads my blog regularly...when I never really know who does, or not. That made my day!

 

Or there was the time that I heard from someone else out of the blue, not too long ago. She had been visiting someone in a hospital in the area where I had previously lived. I was fortunate enough to have sold several pieces to the hospital, and they remain hanging, several years later. She tracked me down in my new location, and  contacted me to tell me that viewing my peaceful landscapes helped provide some serenity and beauty during a very difficult time with a family member. Now that was special!

So, you never know how, or when, or even where your work may affect someone. It is really why we share what we do, because you just never know.   


 



 Recently, I painted some new pastels  from a trip I made down to the Superstition area. At the end of the day, on the way back, I stopped for a short hike at Lost Dutchman State park. I managed to catch my favorite time of day...when you can watch the dusk shadows creep across the warmly lit landscape.

Early on, I needed to decide if the work would be more about the shade, or the light. I have found that I can say a lot about the light, by carefully paying attention to shadows. So, the emphasis is on the shadows...they cover well more than half of the paper.

I decided to photograph my progress  about halfway through.

 My paper is Pastel Mat in a warm grey-brown...you can see much of the paper showing at this point.

I also thought it would be interesting to arrange the pastels I was using, in a spare lid, and divide them in to light/ shade rows.

 ...like so. You'll notice that most of the light pastels are warm...with the exception of those I used for the sky...which is a light source. All of the shadow pastels are cool. 

I like this idea so much, that I may do so from now on!

 

Here is the finished painting, "Cooling Shadows".

 



Sometimes I'm very lucky, and paintings just seem to paint themselves. It admittedly does not happen as often as I'd like, but when it does, it is such a special experience. One such time was during the Sedona Plein Air Festival.

 

I was with two good artist friends, Becky Joy, and Debra Joy Groesser, in a favorite painting spot of mine  we had driven out to. It was late afternoon, and we each had a painting under our belts, so to speak. I turned around, and saw the raking sun pick out a clump of grasses,  with a path leading up, and a classic tree shape.

"Outback Pastoral" pastel, 10x14

 

This just begged to be painted . It isn't often the mother nature presents such a great composition! I took a deep breath, and set to work. In about a half an hour-40 minutes I had this painting.

I like how there are a spare number of strokes, and I was able to leave some of the texture showing through.

To me, it felt like I just breathed it on to the surface.  The hard part was to just leave it alone!



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